How Touching
These pieces use fabrics and textures to explore connotations of touch and the untouchable, intimacy, vulnerability, and care. Their often contradictory associations of nurturance conflict with symbols of traditional authority: the stars and stripes of a colorless, disassembled flag; brass title plates borrowed from 19th century museums or specimen cases. This project was started in November 2016, when the US came face-to-face with a new relationship to authoritarianism and targeting of the vulnerable.
Fabrics, in contact with bodies, can be protection, adornment, or ritual. References to traditional female roles are encoded here: the nurturer's labor of bandage or diaper or dishtowel, the bridal attributes of white silk, the blue wool of a Catholic schoolgirl uniform. Placed against the fabrics, dried flowers carry the inescapable symbolism of sexuality.
Year Zero 2016-2017 Gauze bandaging, paper, cotton thread, and steel sewing needle on panel 24 x 24 x 1.5 inches with thread fringe
Year Zero (detail) 2016-2017 Gauze bandages, paper, cotton thread, steel sewing needle on panel 24 x 24 x 1.5 inches
Specimen/Speculum 2016 4-panel installation (left to right, top to bottom): “The Threat”, “The Crime”, “Transsome”, “and Treasure” Mixed media Overall dimensions 22 x 22 x 2
Transsome (side view) 2016 Wool, cotton, brass, acrylic, wood panel 10 x 10 x 2 inches
The Crime (detail) 2016 Wool, roses, brass title plate on wood panel
To Soothe the Soothsayers 2016 Cotton, roses, acrylic, paper fiber, wood panel 24 x 24 x 5 inches
Keepsafe 2016 Silk, cotton, acrylic, paper fiber, wood panel 24 x 24 x 3 inches
Pressing 2016 Acrylic, paper fiber, wood panel 24 x 24 x 2.5 inches